The Culturally Situated Young Romanian Viewer and the New Television

Diana Cotrau

Abstract


Our aim in this paper is to identify the ways in which the new Romanian television has removed itself from its former (communist) status and orientation, and has tuned in to the global media, in turn undergoing changes prompted, on the one hand, by new communication technologies and, on the other hand, by geopolitical changes per se occurring world-wide. We intend to show how the new types of media, particularly television, having interconnected consumers everywhere into a global village, and having facilitated the segmentation of audiences and the targeting of audiences with narrowly focused messages, have impacted young Romania television viewers. We will also try to track the ways in which global media symbols interact with local specificities and are socially mediated with the direct intervention of culturally situated local young audiences. In addition, we hope to prove that young Romanian television viewers are adept managers of the multivalent television messages, which they successfully decode in ways that serve their subcultural interests and needs.

Keywords


culturally situated viewer, segmented and fragmented audiences, imported ideology, crosscultural and transcultural media symbols, encoding and decoding, localization

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